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Are you Wasting your Time?

Picture the scene, you are in the supermarket, at the gym, at a social event. You are introduced to a person or they approach you with the opening line, ” I hear you teach Pilates, what’s it all about? Nutritionist Northern Beaches ensures that you will energize because eating consciously is like meditating.

It is easy to launch into a whole story about the history of Joseph Pilates, his internment, his flight from Germany to the US, meeting Clara his wife blahblahblah….

AUTOMATIC PILOT

Someone has pushed your button, if you are not careful you will either bore them rigid because they were only being polite, making small talk or you will completely waste your time.

So think about this. When we decide to do something, change our behavior in some way:

Stop smoking

Take up exercise

Start smoking (just kidding)!

We go through Six Stages of Change, this process was identified by James Prochaska and Carlo DiClemente in the late 1970s and early 80s at the University of Rhode Island, when they were studying how smokers give up their addiction.

SIX STAGES OF CHANGE

-Pre-contemplation. Ignorance is bliss, the person has no desire to change behavior.

-Contemplation. Acknowledgment of the need for change but not ready.

-Preparation. Getting ready

-Action. Changing behavior

-Maintenance. Maintaining behavior changes

-Relapse. Returns to old behavior, abandons the changes

Let’s get back to the party. You have just met someone who throws out the comment “what’s this Pilates all about?” Depending which STAGE OF CHANGE they are at will determine your response.

How can you tell?

A few simple questions will quickly let you know how far long the process they are, or if they are just filling in time waiting for more interesting company. Your first response to the “what’s it all about” should be short and sweet. Practice a concise reply, e.g. “its a body conditioning system that will improve posture, tone and shape”. Sometimes that is the end of the conversation about Pilates and they change the subject. Pre-contemplation.

If they continue with questions, ask them for their contact details so you can send information to them. This causes a couple reactions:

They tell you they are looking at various options Contemplation

They are happy to give you details. Preparation

Avoid getting into detailed explanations in a nonprofessional atmosphere. They won’t remember anyway. If they are happy to give you contact details, suggest you make an appointment for a consultation. They may not be ready to commit to an appointment.

Preparation

Make sure you send the information as promised. Always carry your business card and or schedule so you can quickly hand it to them even if they don’t want to go further than a basic inquiry. This way they may contact you when they are ready.

Always follow up. Whether you post out hard copy information or send it by e mail when you think they should have received the information contact them to confirm receipt. Avoid trying to move them forward in the process at this point. Your contact is purely to confirm they have received the information and to answer any questions.

Finish this conversation/email by asking their permission to contact them again. This will stop the feeling of the cold call and give them the opportunity to stop you contacting them. They will feel in control.

The second follow up should come 3-5 days later. This time the enquiry is about any further questions and some kind of incentive to make an appointment either to attend a class or consultation for a personal training session.

The third and final follow up at this stage, assuming they have not made any commitment to classes or personal training is to acknowledge they are obviously very busy, that you will not contact them again other than to update them on new events, classes and offers. This will sometimes move them towards the Action stage. If it doesn’t then you can keep them on the database with their permission to keep in touch.

Of course you want the process to be smooth so they move into the Action and Maintenance stages. During this time we are developing a stronger relationship with them, it is in our ongoing business interest to keep this relationship alive, creative and happy.

It is a natural cycle of life that the Relapse stage will come along at some point. Maybe they just break routine by going on holiday, family of work commitments change and the process starts all again.

This time however the initial stages will move along more quickly as it is a familiar place for them and the decision making process will be easier. Of course we want them to return to us so the relationship we have built must be maintained, even if they are in their Relapse phase, keep in touch, so that when the Action stage comes around again they know where to go and that they will be welcomed back with a smile.

These Six Stages of Change relate to any behavior changes and the sooner you get to grips with recognising the various ways to interpret your potential new clients reaction and connect to one of the six stages, the sooner you will be able to join the conversation.

Nuala Coombs – thepilatesconsultant.com

About Nuala Coombs. With over 25 years experience in the fitness and Pilates industry Nuala has taught hundreds of students worldwide to teach Pilates. She is the author of Golf and Pilates published in 2005 as well as an international presenter and teacher trainer. Based in the south of France along with teacher training and workshops she offers career guidance to teachers in training and qualified Pilates teachers at a crossroads in their working life. Nuala also offer Pilates Retreats for Pilates enthusiasts. Contact her to sign up for her free monthly Newsletter at http://www.thepilatesconsultant.com.

Email: [email protected]

Article Source: http://EzineArticles.com/expert/Nuala_Coombs/177262

Article Source: http://EzineArticles.com/1939163

Become A Storyboard Artist Without Any Experience

Introduction

Are you interested in learning how to become a storyboard artist? Do you have an idea for a movie or show but don’t know where to start, or are stuck trying to explain your vision to other people and coming up short? Well, this guide will give you all the tips and tricks that I’ve learned over my career working on some of the biggest projects in Hollywood. You’ll learn everything from understanding what makes a good storyboard artist, how to draw stick figures (yes!) and creating an entire film’s worth of ideas with just one sheet of paper. By the time we’re done here, I think we’ll both be ready for our first job interview at Pixar! Concept boards are big help in Hollywood filmmakers because this technology makes their life easier.

What is a storyboard?

A storyboard is a visual representation of a movie or TV show. Storyboards are usually created by people who work on films in the production phase, and they’re used to plan out every shot in a film.

A storyboard is usually made up of small drawings that show how each shot should look like from one to another. The drawings on each page are meant to be viewed sequentially (like flipping through frames), so that’s why they’re normally arranged in order from top to bottom, left to right.

The purpose of having these kinds of boards is so writers, directors and producers can see what their finished product will look like before it’s filmed!

How to draw stick figures

To get started, you’ll need to learn how to draw stick figures. It might seem intimidating at first, but stick figures are actually quite easy and they can be used in many different ways.

For example:

  • Stick figures are a great way to start drawing if you have no experience or artistic ability whatsoever. This is because they don’t require any skill that’s particularly hard for beginners to learn (such as perspective).
  • You can practice storytelling using stick figures by telling your own stories or by illustrating existing stories from popular books or movies (like the Harry Potter series). The story of Harry Potter would make a good subject for this because there are many characters with whom readers will already be familiar from previous installments in the series. Also keep in mind that since most people know about Harry Potter already—and therefore already have some knowledge about what goes on—you’ll need less detail than someone who is telling an original tale without any prior knowledge attached (like a child’s drawing might include).

Your storyboard doesn’t have to be perfect.

The storyboard is not meant to be a work of art or even a finished work. It’s a rough draft, so don’t get caught up in making sure the lines are perfect. Make sure the points you want to convey are clear and understandable, but don’t worry about if your drawings look exactly like what they will when they’re done—you’ll have plenty of time later on for that!

Using your sketches to create a bigger picture

You can use your sketches to create a bigger picture. Let’s say you are working on a storyboard for an animated film, and you need to draw the scene where the character has been kidnapped by aliens and taken into space.

Here is how you would do it:

  • Draw rough sketches of each panel in your storyboard using pen and paper.
  • Choose one of them (for example, the first one) and expand it by adding more detailed drawing elements, such as background elements or props. Make sure to pay attention to light sources, shadows created by different objects etc., as these details will give your artwork an extra dimension of realism! You can also use digital tools like Photoshop or Illustrator if it suits you better than traditional media such as pencils or pens etc…

Storyboarding terms you should know

  • Storyboard
  • Storyboard Artist
  • Storyboard Sequence
  • Board Frame and Panel: A frame is a single drawing on the storyboard, and a panel is the space between two frames. Usually the number of panels per page varies from 2 to 8 but there are no strict rules for this.
  • Sketch: It’s basically a rough version of your final animation, which you can use as a guideline for future iterations.

There are many different ways you can become a storyboard artist.

There are many different ways you can become a storyboard artist. You can get a degree in animation. You could learn from books or online tutorials. You could learn from YouTube, other artists, and your own experience and mistakes.

Conclusion

Storyboarding is a great way to build up your portfolio and get paid for your drawings. It’s an easy skill to learn and even easier to apply when you understand the basics of storyboarding. You don’t even need any experience as long as you follow these simple steps! Inquire here on how to apply for a storyboarding job.

Why Go Film School?

If you’re considering a career in filmmaking, is going to film school really worth it? If you are into filmmaking using a tv storyboard could help a lot.

All throughout high school, I heard about the benefits of film school. From my classmates to my teachers, everyone was telling me it was a must for anyone who wanted to work in the movie business. I didn’t listen, though. Instead, I went to college and graduated with a degree in journalism. But when I graduated from college, I had no idea what I was supposed to do with a liberal arts degree. I had never even so much as touched an SLR camera before.

I had always been interested in storytelling and writing, but I didn’t know how to translate those interests into a viable career option that could sustain me financially. So naturally, when someone suggested that I should look into becoming a film critic, I immediately knew that it was what I wanted to do with my life.

As soon as I started looking into the idea of being a film critic or writer in general, the first thing everyone kept telling me was “Go to film school.” There were many different stories about how people had used their years at film school to get jobs on movies and television shows—but these people all seemed to have one thing in common: they all got into film school.

There are a lot of reasons why you might choose to go to film school. Perhaps you want to be a director, or a producer, or maybe even an actor. Maybe you just love film, and want to learn as much about it as possible. Whatever your reason for going, it’s important to remember that film school is not just about learning the technical aspects of filmmaking – it’s also about developing the skills you need to navigate your career in the industry and the lifelong relationships with other students and professors that will come in handy throughout your life. In this brief, we’re going to discuss some of the most important things to consider when deciding whether or not film school is right for you.

Why go to film school? For some people, the answer is obvious. If you’re already in love with telling stories, or want to become a part of an industry that’s going to continue to be a major force in our culture for the foreseeable future, or if you want to exercise your creativity on a daily basis… then yes: why wouldn’t you go?

Lucky for you, film school can be an invaluable resource for any of those things. But let’s back up: what is film school? It’s not just one thing. At its most basic level, it is a place where students are immersed in films and filmmaking, but there are many different kinds of film schools—public universities, private universities (including art schools), vocational schools that teach specific skills and equipment along with the artistic knowledge necessary to use them well, and massive trade schools known as “film academies” that focus on making students employable as quickly as possible.

There are pros and cons to each kind of school, and it can be confusing to know which one is right for you. That’s why we’ve put together this list of questions to help you figure out which kind of film school is best for your goals—and what sets it apart from the competition.

When I decided to go to film school, my parents disapproved. They warned me that I was going down a path of high tuition and low employment prospects, and they said it would be better for me to just work in a real job for a few years instead.

Contrary to their initial objections, however, I am proud of my decision to pursue this degree. There are many reasons why film school is a good idea, and here are just a few:

-I get to study with other people who are as passionate about movies as I am

-I can learn from some of the best professors in the country

-The lessons learned in film school are applicable to jobs in a variety of fields besides filmmaking

-Film school is incredibly helpful for learning how to work with others

-Attending film school has given me a lot of opportunities to improve my skills by working on projects outside the classroom.

When you ask someone who works in a creative field why they went to school to study their craft, you’re likely to get a different perspective than if you asked someone who worked on the business side of things. As a director or producer, for example, you want to learn about how the industry works: what contracts are needed for insurance purposes, how to talk to crew members and cast members, what the difference is between shooting in HD and Super 16. The most valuable lessons often come from the business side of things—and film schools do a wonderful job of giving you that kind of information.

There’s an undeniable element of luck when it comes to getting your foot in the door as a filmmaker. You’ve got to be in the right place at the right time, and with enough skill to impress people. But even if you are lucky enough to get that chance, there’s no way of knowing what will happen next. You could end up working on something amazing, or you could find yourself doing grunt work for years until you finally have the chance to make your own movie.

Five Great Stocking Stuffers for the Art Lover

Start with concept boards if you really love art.

Great stocking stuffers for the art lover.

  1. Coloring Book
  2. Art Prints
  3. Post Cards
  4. Books on Art and Artists
  5. Gift Certificate

Stocking stuffers don’t have to be cheap. The best stocking stuffers are the ones that show you know and appreciate the person whose stocking you’re filling.

Whether it’s a gift for your mom, dad, spouse, sister or friend, these stocking stuffer ideas are sure to be appreciated by the art lovers in your life:

ArtGift Card: Let them choose their next piece of art with an Artgift card. Available in denominations from $10–$500 and redeemable for any artwork on Art.com, it’s the perfect way to give art this holiday season.

Gel Pen Set: Gel pens are great for all types of projects from writing and journaling to sketching and more. This set comes with a range of colors including metallics, pastels, fluorescents and glitter varieties so they can add some sparkle to their next project.

“Painting With Bob Ross” Book: Celebrate everyone’s favorite TV artist with this collection of his most popular paintings and techniques — all with that signature Bob Ross flair!

Adult Coloring Book: Coloring isn’t just for kids anymore! Adult coloring books are all the rage right now and there’s no better way to relax than spending some time coloring intricate.

Treat the art lover in your life to a stocking stuffer they’ll appreciate this Christmas.

Art lovers can be hard to please when it comes to shopping for gifts. They have their own unique tastes and, even if there is something they want, chances are, they’ve already bought it for themselves.

But these stocking stuffers for the art lover are sure to satisfy any recipient. Make their holiday season better with one of these unique gifts — and make sure you get a gift receipt in case you need to return it.

Let’s face it, shopping for someone who loves art can be hard.

Everyone has their special subjects and styles they love, so it can be tough to find a one-size-fits-all gift. And while books may be the obvious choice, they’re not always the most exciting gift option.

We’ve selected five great presents, each under $20, that will delight any art lover in your life. These gifts are perfect for filling stockings or grabbing on the fly at the last minute when you realize you forgot to buy something for your favorite art historian or studio artist. Being an art lovers is not enough you still need a tips from others.

You can never go wrong with a fresh sketchbook. This sturdy spiral-bound pad from Strathmore is made of heavyweight paper that works well with pen, pencil and watercolor washes. The paper is also acid-free, so it won’t deteriorate over time. At 8 by 10 inches, this sketchbook is large enough to keep at home or easily fit into a bag for on-the-go artwork.